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The Beauty (2026) - Evan Peters, Ashton Kutcher e Rebecca Harl (ma non solo) parlano della serie
Jan 21, 2026
The Beauty, la serie thriller internazionale del 2026 di FX, è sbarcata il 19 gennaio a Roma per la proiezione e conferenza stampa (che potete visionare in questo video) tenutasi al The Space Cinema Moderno di Roma.
Evan Peters, Rebecca Hall, Ashton Kutcher, Anthony Ramos e Jeremy Pope raccontano la serie, che segue due agenti dell’FBI alle prese con un virus che trasforma le persone in esseri “perfetti” con conseguenze devastanti. Dal mondo dell’alta moda alle città di Parigi, Venezia, Roma e New York, il cast svela retroscena, personaggi e temi centrali del thriller globale.
Scoprite la serie, ascoltando, le dichiarazioni del cast.
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Show More Show Less View Video Transcript
0:15
I invite on stage our guests for today starting from Ashton Kucha.
0:30
Jeremy Pope, Anthony Ramos,
0:37
Rebecca Hall, Evan Peters.
0:50
Hi. Hi. Hello. Hi.
1:01
Welcome to Rome. You know the place. Thank you. You've been here with this show. So I
1:08
start from Evan and Rebecca. Uh what about I mean entering in Ryan
1:16
Muffy's vision and using this global thriller to deal with many themes as the
1:23
idea of perfection and the sacrifice to get the idea of perfection which are at
1:30
the center of the debate still nowadays. Oh what's what's the question?
1:38
What was the question? H how about working with Ryan Mafi on these themes in particular? Oh yeah, it was incredible. I mean um
1:45
yeah, it's an an international thriller and um uh I think when he said we were
1:50
going to be shooting in Rome in Venice, we uh we really jumped at the opportunity. Um for sure.
1:57
Yeah. No, I fel I felt the same way. It was very exciting. I didn't I didn't actually read the script initially. Ryan
2:04
pitched me the idea over a breakfast meeting and and described it which was
2:10
truly one of the most entertaining moments of my career because not only was Thank you very much. Not only was uh
2:18
I'm keep passing it down because not only was Ryan Murphy just
2:23
there describing to me this show, he was also in my mind describing to me the most peak and extreme Ryan Murphy
2:31
storyline that I'd ever heard in my life. And then he topped it off by saying, "And you'll shoot in Rome and
2:37
Venice and New York where I live." So it was kind of like this this sounds brilliant. And how how did you get into your
2:43
characters into your roles?
2:49
Well, I knew we were going to have some some really long fight sequences. So, I was uh training with our great uh stunts
2:55
team with that and uh doing some some MMA back in New York. And uh we were
3:01
going to be shooting a very long uh sequence in in Venice. And uh I was
3:06
going to be having to do a lot of running. So uh I ran a lot. You did? You ran a lot. I didn't to do
3:14
any running. But you did do have to do a lot of um contortionist.
3:20
Yeah. Your transformation was incredible. That was insane. It was amazing.
3:29
How about the but the fit? It's crazy. I can't believe I just said that. Sorry, Disney
3:35
[ __ ] Rebecca, how how about the physical part
3:41
of this role as well? Yes. Yeah. How was Yeah. I don't want to
3:47
spoil too much. No spoilers. Um, no, there was a lot of there was a
3:52
lot of physical stuff for me, but compared to Evan, it was it was very different. I wasn't doing the running and fighting so much.
3:58
You had to do a lot of investigatory work. Yeah, we had checking out the crime scene, figuring it out. Exactly.
4:03
Why are people exploding? Crack the case. Why are people exploding? Right. It's just a question every FBI agent
4:10
faces. Truly. Anthony, Jeremy, you're a wonderful
4:15
action couple in in the show. So, how did you balance both the physical part
4:22
of the role and and all the other things involved in the in the show?
4:28
Crazy. Um, it was um
4:33
yeah, I mean, it was really physical. It was a physical role. Um, a few fight scenes. Um, there's a really exciting
4:39
one between me and Jeremy later on. I'm just going to give you guys the whole show today. Uh, what's the end of the
4:47
press store anyway? You know what I'm saying? Show comes out tomorrow. So, um,
4:52
uh, but it was amazing. It was really fun. Me and Jeremy have known each other for um, a long time. We went to college
4:59
together, so it was it was we've been friends for forever. So, it's um, this is the first thing we've been able to
5:05
work on together. And it was so much fun. Like a lot of the I mean, it it didn't feel like work when we were on
5:12
set together. We were laughing all day, then 12, 13, 14 hour days and just cracking jokes all day. So, it was a lot
5:19
of fun and um you know, so I I really enjoyed just us getting to dig into
5:24
these characters together and the fact that we had a lot of scenes together was a it was it was a treat. Yeah, I think
5:30
you know this is my third project working with Ryan Murphy and what I've
5:36
learned about collaborating with him is you you need to kind of just come with an open mind especially to set you know
5:42
things tend to literally transform from the page to what happens in the space.
5:47
So, I think it was a physical role because you wanted to just be able to use your body the way that he needed to,
5:54
whether it was in a fight scene that we were changing on the day, um, or whatever was being asked of you. So, I
5:59
know like me, Evan, Anthony, I I know he was training as well. Ashton, you can speak to it, but we were doing boxing to
6:06
kind of just get our bodies physically ready um to do the things that would be asked of us. So, um, but it made for
6:12
just a beautiful time. Now again, me and Anthony have known each other for 15 years. So when it came to a lot of the scene work between us, it was really
6:20
just us laughing and cutting up and having a good time together. And I was filming in Italy and having
6:28
this beautiful Italian cities as a an action set, which is quite unusual for
6:34
us. It was unbelievable. you know, we we shot in the forum uh and it was just us.
6:42
Um and uh I mean there there were some incredible moments uh that we had on the
6:48
show that I think there were a few firsts as well, right? Um where we got to shoot at these historical monuments
6:54
or places uh locations and um you know people would tell us, oh, like no one's
7:00
ever done this before or this is the only the second time ever that someone has done something like this. So it was
7:06
it was really special to be able to to come here. And then also just like the landscape of Rome is beautiful, the
7:13
colors, the architecture, the people, right? So to have
7:18
you and the you know and the city as a as another character in the show, it it
7:26
just took the show to another level, you know. It really did. And and then obviously, you know, um Lou, our costume
7:32
designer, just dressed us in the best clothes. So just, you know, and this is one of the fashion, you know, Italy
7:38
being one of the fashion meccas of the world. Um, getting to look nice and then
7:43
be in a city that looks nice with people that look nice, you know. Um, it Yeah,
7:48
it was it was beautiful. No pun intended to be honest. No, I mean I agree. I think you know the
7:55
location of where you are is another character in the story. So, I love that our show is talking about beauty and how
8:01
we all perceive beauty while we're in one of the most beautiful cities in the world. Um, and I think it's so important
8:07
that we set up the foundation of our show in a place that is so historically enriched in texture and color and
8:14
vibrancy and personality. Um, and again, it's just some of the shots. There
8:19
doesn't need to be any dialogue because the city itself speaks for itself. Um, so that just makes for a beautiful intro
8:24
to this wild world that Ryan has created. Ashton, how did you get into your
8:31
character, which is so nuanced, is both very funny and dark. So, how how did you
8:38
deal with this role in particular?
8:44
Uh, hi everyone and uh thank you for the question. Um, I'm uh how do I get into
8:51
the role? I I um well, first and foremost,
8:56
um I I got in shape. I've been sitting in front of like a computer for like two
9:03
years and I was like, "Okay, I'm gonna I'm gonna go do this thing. I better get myself in shape." So, that was that was
9:08
like number one. Um and then um I have a
9:14
few friends who are very wealthy and
9:20
um I sort of like observing common behaviors amongst them and and
9:28
they're I noticed this like buoyancy that they have in life where
9:37
they move through problems s as if they're not problems. Um, and I
9:43
remembered was this one individual, very nice person said to me, um,
9:49
I got to a point in life where if money was a problem, it it's not a problem.
9:54
And I thought, wow, what that's that is some way to like move through the world
10:00
where um you know, like if you if you went to a
10:06
prison, you just buy the prison and make it nicer. Um and and I I was like, this
10:11
is a really it's a really wild thing. And but they all had this kind of general buoyancy. Um, and then without
10:18
uh without spoiling anything, there was one actor in particular
10:23
um that I just watched all of their uh material um anything I could find um to
10:32
understand some variable behaviors that I thought this character could imbue.
10:37
And um and then it was really a process of after I had a conversation with Ryan
10:44
about who this person was and what they wanted um it was like trying to like
10:50
unearth justifications for um the for this character's
10:56
behaviors and like and really like calcify like a noble pursuit in whatever
11:04
it is that he's doing and whenever he's doing it. like there's a reason why
11:09
even even people who do awful things in the world somehow find ways to justify to themselves that what they're doing is
11:16
okay. And so that that was that was the work. And of course I have to to ask you how
11:22
about working with our beloved Isabella Roselini in those beautiful witty and
11:28
even very mean scenes between the two.
11:34
one of the most intimidating things I've ever had to do. I when you take someone who she's a legend, she's a hero, she's
11:43
she's she's iconic, she's all of those things and then to stand in a scene and
11:48
have to like verbally undress that person. You it's like you you're like
11:54
who am I to be first of all I'm like who am I to even be on a stage with her? And
12:02
then when and then having to divorce myself from myself so as that I could
12:07
have the courage to even like stand up to her and like verbally assault her was
12:13
um was good. It was extraordinarily challenging. And then they and then there's this um there's a really cool
12:21
dichotomy that exists between the characters like all I I plugged into a
12:26
thing where I was like wait all this character wants is this other character's approval and it's kind of
12:32
and as I'm in a scene with Isabella I'm like if Isabella gives me the slightest compliment about my performance and so
12:40
as I'm playing it I'm just going maybe she'll give me a compliment at the end of this maybe she'll so I just went in
12:47
looking for her approval in every single scene. Um, and then the the magic of
12:52
Ryan Murphy and what he created is these two characters where this one man has created a synthetic version of beauty
12:59
and this and and this other character is like revels in the handmade version. and
13:08
and he and and the way he displays it is h by having her wear all these like
13:13
extraordinary couture dresses that are all handmade and every bit of her is handmade beauty. Um and every bit of uh
13:21
my character is this synthetic beauty which is pretty extraordinary. Thank you. I start with your questions
13:28
and I have the first one from home. Franchesca deer question to everybody.
13:37
The show asks, "What would you sacrifice for perfection in the be if the beauty
13:42
drug existed in real life? Do you think people would take the risk giving the image society we are living in
13:52
one two defining I mean perfection is again what
13:58
I think perfection could be quite boring actually. So I don't know I don't know what that I mean it depends what it
14:04
means to you. I don't know that it necess I think I'd lose sight of when I was quite young in working as an
14:12
actress. Um, and I went to Hollywood and people would regularly tell me that I
14:17
had very British teeth. Um, which was which was code for have them fixed
14:24
immediately, Rebecca. And I kind of liked the way they overlapped in the front and it was an imperfection that I
14:31
was quite fond of. And so I sort of very stubbornly didn't for a really long time. Um obviously things change as you
14:38
get older and actually like my teeth started to break
14:44
and I eventually succumbed to had Invisalign. So I'm you know but they're still not perfect and I'm still happy
14:49
with that. I it's a it's a very um I think the
14:57
proposition of the show is not a fictional proposition. I think
15:04
it's a proposition what this show is like five minutes in the future. I if if we look at the world today and
15:12
we look at what's available there's a drug that you can inject yourself with
15:17
the GLP1 those epic mjaruno like we goi that will make you lose weight. There
15:26
are all kinds of different like creams and savves and topicals that you can put
15:32
on your body that will promise you younger skin. There are, you know,
15:39
there's the going to the gym and working out and exercising, but there's also like cosmetic surgeries that you can do,
15:45
whether it's Invisalign or whether it's rhinoplasty that you can cosmetically enhance
15:52
yourself with. And in fact, people are traveling all around the world. There's there's cosmetic tourism now where you
15:59
can travel to a different country and get the same procedure for less money or whatever it these are choices people are
16:05
making today. the this is this is you know if you just
16:10
take those things and combine that together with a bit of genetic engineering
16:15
the drug already exists and the I think the the core question of
16:20
the show is where do you live on that spectrum of what's okay why is it why is
16:26
it socially acceptable to change your teeth and wear braces but it's not
16:31
socially acceptable in some places to get rhinoplasty and And and the I think
16:37
what the qu the show challenges is like where on that myriad of risk do you
16:43
exist? You know there could be side effects. There could be things that go wrong and everybody has a different level of tolerance. Um but I I I really
16:51
think this show could be called the judgment as as equally as it's called the beauty.
16:58
Anyone else or Yeah. I mean just to add shortly you know some brief to that but it's you
17:05
know you I don't know how much I would sacrifice right personally I don't know if um but I think it's like Rebecca said
17:13
right be beauty be beauty is different right to everyone to to different people and it's also but you know I guess I've
17:20
seen right like what we see all the time right like we like people who will buy
17:25
the most beautiful car or will get the most beautiful apartment or a house that they can't necessarily afford and
17:33
there's just this endless chase for what to like tomorrow they tell us something
17:40
is beautiful I got to have it because I need to stay current and I need to stay relevant so I need to have that even if
17:46
I can't afford it I'll sacrifice something just to have that because it just keeps me alive but essentially it's
17:51
just us trying to survive but then all of a sudden we just find ourselves just trying to we're just catching up that
17:58
that's all we're doing is surviving and we're not like actually living, you know, so making make constantly sort of
18:03
streaming into our psyches that we're not good enough is more profitable, frankly. 100%. You know, I I think
18:10
I think that's I think broadly I'm I'm in favor of everyone doing whatever they need to do to make themselves feel more
18:15
like themselves. But I think when you're chasing that from external influences, influencers that stand to make money, I
18:21
think that can get really murky real quick. And you can it's hard to hold on to like am I doing this for me or am I
18:28
doing this because I'm trying to be something else, right?
18:59
The beauty
19:22
I didn't get any translation at So, so that was a wonderful question. That is
19:28
so beautiful. Um, here's what I'd like to say regarding that.
19:34
I don't know. Oh, yes, I can hear you now.
20:14
So, so I I'll I'll I'll repeat it out loud so everybody can hear. How much has beauty burdened my life since I've
20:20
always been considered a handsome man?
20:28
How how much do you do you want me to repeat it? Really? It's really embarrassing. How much has uh beauty
20:35
impacted my life since I've always in my career since I've always been a handsome man? She said charming, too. Stop. And
20:41
charming. And charming. I got that as well. Wait, can you repeat it one more time? How um uh
20:49
um it's uh no it's an interesting question
20:55
that um I have a twin brother um and my twin
21:02
brother was born with cereable palsy um and um and then when we were 12 years
21:10
old he had a heart transplant And
21:15
um and our lives sort of we were we came
21:20
from the same family, the same place, same parents and and literally our whole
21:27
lives we did the same thing. We're in the same classes, had the same friends, like every at a certain point like I I I
21:34
left my hometown and um I started modeling and um and then got into acting
21:41
and started having a successful career. and he came to me uh one day um and he
21:49
said maybe the most important thing that anybody's ever said to me which is um
21:57
I as I was becoming more successful I was like doing everything I could to
22:03
help him out and um trying to offer him different support in different ways and he came to me and he said you know every
22:09
time you feel sorry for me you make me less
22:15
this is the only life that I will ever know.
22:21
And and for me it was like this awakening one thing about the difference
22:26
between compassion and empathy and feeling sorry for someone.
22:32
But secondly, um it was this just sort of grand realization
22:38
that we're all living the only life we will ever know. I've only ever lived in this
22:46
body. I've only ever had one mind. Um
22:51
and it's all I ever known. And when I was a kid, um I didn't feel like I was
22:58
an attractive person. um because nobody had told me that I was
23:03
yet and I didn't I just felt like a really poor kid that didn't quite fit
23:11
in. And then so one day uh when I was 19
23:17
years old, somebody came up to me and said, "Hey, you should be a model." And I laughed at them because I thought that
23:23
they were joking with me. And um because I didn't look like Fabio and that's what
23:29
I thought a male model looked like. And then uh I started working as a model
23:36
and doing these things and going I guess gain a little confidence about the way
23:42
you look over time. Um so I think like
23:49
some days we feel beautiful and some days we don't. Um, and some days, no
23:54
matter how you look, you can feel really ugly. Uh,
24:00
but I think that the way we look impacts the way the world sees us and what the
24:05
world thinks about us and and sometimes
24:10
it can it can create preconceived notions about who someone is or how someone is or what someone's capable of.
24:17
And and I think we all live in that. um because we're all living the
24:25
only life we've ever known and so maybe we don't even know how it has impacted
24:31
us and so the real answer to the question is I don't know
24:41
to Ashton and Rebecca Hall you can hear in your maybe
25:08
So for the English speakers, the question is is uh beauty can be very
25:13
dangerous and do we think that um beauty can become deadly or lethal for the next
25:19
generations. Um,
25:24
do you want to say I just talked a whole bunch. Do you want to take I knew you were going to say that. I I mean, I'm glad I'm happy to do it.
25:31
Does no one else want to take a shot of this? Why do Why do we get this one? Because we said something. I don't um I I think I don't I don't
25:37
know. That's That's a That's a tricky one. I I don't I hope not. That's my answer. I think it I think it already is.
25:44
I think Yeah. I mean, there are kids that are committing suicide because like today like it's happening that they
25:52
don't feel like they're living up to some standard and then they have start to pummel down some self um
25:59
I mean we didn't we didn't esteem issues we didn't have to worry about like even like I mean I didn't you know cell
26:05
phones whatever when did cell phones come out I don't let's just say let's just social media for instance we didn't
26:10
have to I didn't have to worry about that when I was a kid I didn't have to look and scroll and see how some like
26:17
There was no trend about what was at least not on my phone like not available to me at every moment of the day
26:25
whenever I wanted it. This dopamine hit of like this is cool. No, but that's
26:31
cooler. No, but that's actually cooler. No, but if you look like that, you should do that. No, but if you live
26:36
here, you should be that way. Or if you look, you know, and I'm just And it's just this overload. And it's like
26:42
imagine growing up as especially as a kid and having to deal with that subconsciously because it's normal. You
26:50
like it's not normal for you to say that this actually is overwhelming for me
26:56
because it's just how they live now. I can't imagine having to live that way. I
27:02
mean I feel for I mean I'm sorry I'm super passionate about this right now but it's like I feel for kids now that
27:08
they have to they this is just normal for them. is normal. And then you got
27:13
Instagram and then you got Snapchat and you and then there's so many outlets that they just bop around to the next
27:20
one and and you know and they they it it I mean it's kind of tough for a kid to
27:29
figure out who they are on their own without
27:34
every second the world telling them who they're supposed to be. And and there's
27:40
there's a difference um between adults and kids that is
27:48
coming in into the um industry when I was 19 20 years old. Um and you take a
27:57
uh you take a lot of cannon fodder. people just, you know, critics, whoever,
28:04
whatever, trolls, they just say things just to get a reaction. They might not even mean it. Um, but they say things
28:11
because people click on it. And, um,
28:17
we, as you grow up and you get older, you can build a little bit of armor to
28:24
take a lot of that in. Um, but when you're a kid and and now you're a
28:31
celebrity because you've had a camera in your face your entire life and now you're pointing it at yourself and now
28:38
people are commenting on it and have a, you know, whatever it might be. They don't have a developed prefrontal cortex
28:45
and your prefrontal cortex is a part of your brain that goes, "Calm down. It's
28:50
okay. Don't you don't have to react right now. Like you can you can handle this. Maybe talk to somebody about it.
28:57
Kids don't have that yet uh fully developed and you don't fully develop
29:02
that until you get much older. There's a wonderful book by Jonathan Height um called The Anxious Generation um uh that
29:11
he talks about some of this stuff and u and that's dangerous like legitimately
29:19
a dangerous thing.
29:27
Leonto,
29:41
social network.
29:50
Foreigian
30:10
artificial.
30:24
computer.
30:37
Gracias.
30:48
I saw Jere Jeremy. Well, because I think it's an active question. It's like we're sitting in the
30:53
center of the question right now. You know, I don't know if I have the answer because I think as an artist, I want to
31:01
believe that there's space for nuance. That we as an audience, as a
31:08
community of humans, will still crave nuance. will still crave experiences. Going places, not just staying home and
31:16
seeing it online. Like I want to believe that experiencing something in real time is more thrilling than watching
31:23
something. Um, so I don't know when we're seeing AI, you know, or different
31:28
technology kind of take precedence and show us, flex its capabilities of
31:35
morphing Ashton's face on my face and making it look like he said what I said. and you know that being funny to then it
31:42
becoming serious and it leaning into politics and us having to question what is real and what isn't real. So that
31:49
margin of truth and and false becomes thinner and thinner and thinner. So I
31:56
don't know. I think it's an interesting wild time that we are in currently. Um
32:02
and I think I'm curious to see kind of where this leads. I mean, I at dinner
32:07
last night, we were having a conversation about my parents' generation, they didn't have the internet, you know what I mean? So, I
32:13
think while it might feel crazy to me today, the younger generation might be
32:18
very wellprepared for the army of intelligence on the other side of this.
32:24
I don't know. Um, but I do want to believe in my heart of hearts that there is still a space for nuance as artists
32:30
that we will still crave the ability to meet and greet and talk to and engage with humans. Um, but but who's to say?
32:41
I think it's a just a new medium. This is not this is
32:49
to me. There are artists that use AI to
32:55
create extraordinary outputs and those people are artists too.
33:03
There's always when everything's whenever anything new comes along
33:09
there's always so much fear that is embroiled in it. Um, look, I Anthony and
33:16
I were in London yesterday, the day before yesterday and we could have turn
33:23
on the TV and watch anything on TV. We could have, you know, went on the
33:29
internet and watched, you know, some creative artist who's an influencer who's doing something interesting on the
33:35
internet. and we chose to go to the theater
33:41
and we went because we wanted to appreciate that medium and I think that
33:48
this is a new medium that's coming now. What what will it do to beauty standards?
33:53
I we we already have face filters on everything that's online anyway. That's been around forever. Um not forever. I
34:00
remember um 10 years ago I looked at a company that was ba basically would use
34:07
AI to you smooth out edges on your face. Um you know Instagram filters are pseudo
34:15
static version of AI augmentation. The film industry has been using AI for
34:21
a very very long time. any CGI that we're looking at is like effectively a
34:27
version of AI and it's cartooning. Um, and the people need to be aware and
34:36
conscious of the fact that there will be shifts in labor markets as a result of
34:42
this. But it's a new medium through which people are expressing themselves and even some of the AI that's being
34:48
created as characters that are living in the wild. The interesting thing that a
34:53
lot of uh the AI creators do is actually give them imperfections intentionally give them imperfections so
35:01
that they feel more human. So I think the the jury's out but I I think it's
35:08
not something that we should like enter with fear. I think it's something we should enter um by being emboldened uh
35:16
by what could be possible. I mean best case scenario in a way is that it makes us what being human is and
35:23
connect to that again and relish in that. I mean like theater is a really
35:28
good example like the theater is not going away in London. It's like actually a really busy time for theater right
35:33
now. Um you know and we need that connection. We need to remember what makes us particular. I saw on a um you
35:42
know sometimes you you do a tea and then it gives you a little cute thing on the label of the tea bag. I got one the
35:49
other day which was beauty is not caused, it is which is an Emily Dickinson quote. I need to go look at
35:54
the rest of the poem but anyway I thought that was good.
36:04
So we have one last question from Jo Paneta GQ Italia for the old cast.
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We always talk about physical training but
36:19
beauty the beauty training for your character
36:31
whatever I mean I think with this project we got to trust our collaborators we got to
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trust our beautiful team of hair and makeup and costume design like that is
36:43
the entryway to your character you know so I know for my particular experience. I had long fittings where we would talk
36:49
about what is the closet of this character. What is he wearing? Why is he wearing it? What makes him feel the most
36:56
confident, the most sexy, the most bold? Um, and then that would influence the hair. And you know, I remember I did my
37:02
hair test next to Evan and they were kind of cutting his hair shorter and shorter to find the right length that
37:08
felt like it represented Cooper. And we did the same for my character Jeremy. So I think you know
37:15
yes given the context of the show where that we were you know entering a show that was magnifying beauty and the
37:22
standards of beauty it was really specific to each character. Um and I allowed for myself that to be the
37:28
through line to any choice that I was making physically on the outside so that it would better influence and be nuanced
37:34
for the character and less of me Jeremy how I wanted to look on the camera.
37:40
Yeah, the team was amazing. Costume design. Yeah, Lou and um Jackie did makeup and you know the whole the whole
37:46
you mean if you saw me before I got to work not so beautiful.
37:54
Put the eye patches, get the hair done. You've always been beautiful, Anthony. Thank you. You've always been beautiful.
37:59
Thanks, man. Thank you. I'm tell my mom he said that. Um yeah, you know, and it's uh you know, they they really um
38:09
you know, they they just did an amazing job of uh making us look uh as amazing
38:16
as we could possibly look on the show. I mean, I think personally the only thing I did was just train because Brian said,
38:22
"You got to be naked at some point." I said, "Whoa." Um just butt cheeks on the
38:29
screen, guys. Um, sorry it's Disney. Um,
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yeah, but that was it. That was the extent of it, you know. But yeah, we had a great team. Amazing team.
38:41
Yeah, Rebecca, please. Please. No, no, I I don't have much to add to that. It's true. It's true. I mean, I really liked something about my
38:46
character is that she's, you know, she's she's not a beauty. She's a normal, but it's like the whatever you want to call
38:52
it. She's she is a beauty. Thank you very much. Um,
38:58
right. But they didn't sort of there wasn't a decision to kind of make her someone who isn't into making herself
39:05
look good. You know, she had great outfits and I that was great. So, we have one minute for one very last
39:12
question for even pictures. How was filming in Italy?
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And have you have already been in uh Venice and Rome? Yeah. Um I've been to Rome before and I
39:26
I absolutely love it here. I love all the history and uh all the ruins. Um Rebecca and I had the the great fortune
39:32
of shooting in front of the Trevy Fountain at at 3:00 a.m. when there was no tourists there or anything. And just to be able to hear the the roaring
39:39
fountain and admire it was a once in a lifetime. I've never seen it without 400 other
39:45
tourists. It was amazing and you know so obviously so cinematic
39:51
and for all the obvious Fellini reasons. So that for me was a very special moment. Yeah.
39:58
So, if you if you want to come back now, it's it's not empty like your No. And I still won't be able to get in
40:04
it and jump around. Thank you all. Thank you for this morning with us.
40:14
Have a great day in Rome.